It also took on the clever U-Point local editing tech that DxO first inherited when it bought Google's Nik Collection suite, and offered better image management tools to boot. In the intervening version 5, PhotoLab finally received support for Fujifilm X-Trans cameras, answering the pleas of the Fujifilm faithful. It's likewise been a couple of years since last we looked at PhotoLab 4, so before we introduce the new PhotoLab 6, perhaps a little catchup is in order. One of the strongest rivals to Adobe Lightroom, PhotoLab is available for both Windows and macOS, and has long been a favorite of ours thanks both to its automated lens/exposure corrections and its powerful – arguably, class-leading – DeepPRIME denoising engine. It's been five years now since DxO relaunched its long-running Optics Pro Raw editor under a brand-new name, DxO PhotoLab. You can also apply presets and export final versions from each thumbnail's right-click menu. I probably need to experiment a bit.DxO PhotoLab 6 shown in its PhotoLibrary mode, where you can view, browse, search, tag and label your creations. Adobe RGB appears (allegedly) to squeeze colours into a smaller range and makes the display duller on a monitor screen but is best for printing output (alledgedly). Larger prints gets sent to the photo lab.Īs far as I understand sRGB is the standard for all monitors, TV's etc and wiil display great for digital images and Internet(printing is also okay). Use a small basic printer for 6" by 4" or 5" by 7" paper only. I can get 16inch by 12 inch prints a £1.15 each so the cost of ink for a printer and then purchasing photo quality paper plus the high prices for a photo quality printer just does not add up compared to the lab pricing. The calorimeter appears to ensure that the prints are fairly close to the screen display output. In the preferences in both AP and DxO I have set to sRGB and I use a calorimeter to set my monitor display settings (Spyder) or ColorMunki would suffice. I have not opportunity to try out the variations, as I use a Photo Lab company for the printing of images and the Lab requires the image files as sRGB and jpeg and they specifically request the image files are not sent in RGB. Hi, I do have difficulty in understanding the colour space and whether to use Adobe RGB or sRGB. The lighter skin is Affinity and the dark, DxO. I'm not there yet but what you suggested is a big step forward for me. Not sure if the new local corrections are making through to Affinity either. But as DNG, I have to adjust exposure, saturation, vibrance and contrast to get the desired look I had previously achieved in DxO PhotoLab. This worked for lens correction but exposure and colour rendering are still quite different. DxO gives me a method of viewing images and sorting images in a way that is not possible to do in Affinity Photo. There is a slight difference in the tone and contrast but the images are not that much different between the two. dng file that then opens in Affinity Photo Delevop Persona as a RAW image file for further or additional development. I edit images as PEF (Pentax RAW file) in DxO and then export as a. There is also Exposure Bias and also this can be set to 'take no action'.Īffinity will apply its own tone curve and presumably Lens Corrections to an image imported in to the the Develop Persona unless the command is changed to 'take no action'. Check whether the Tone Curve is set to 'take no action', similar with Lens Corrections set this to 'take no action' and try again to see whether this helps. Click on Assistant Manager and open the dialogue box and then bottom left corner click on Develop Assistant. As suggestion, one could check the Assitant Manager in Affinity Photo on the top right of the toolbar.
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